Prominent entertainment figure Ubi Franklin’s relationship with power couple Davido and Chioma Adeleke has reportedly hit turbulent waters, according to revelations from blogger Stella Dimokokorkus. The situation has sparked widespread discussion about the changing dynamics within Nigeria’s entertainment industry’s inner circles.
Recent social media observations noted the conspicuous absence of birthday wishes from Davido’s 30BG camp for Franklin, marking a significant departure from their usual public displays of camaraderie. This silence has fueled speculation about a potential rift between the former talent manager and the Adeleke family.
According to Dimokokorkus’s Instagram post, Chioma Adeleke has allegedly terminated Franklin’s position as her manager. The reported decision stems from mounting controversies surrounding Franklin’s business dealings within the music industry, particularly concerning financial disputes with various industry personalities.
The situation has been further complicated by Franklin’s recent public clash with rising artist Spyro over unpaid fees. The dispute, which played out through social media and interviews, centers around a $5,000 payment for a performance in Ghana, with both parties presenting conflicting narratives about their financial obligations to each other.
Spyro’s appearance on Echo Room brought these tensions to the forefront, where he openly discussed the unpaid performance fee. Franklin’s response, claiming he was owed a 10% commission for facilitating a car purchase for Spyro, added another layer to the growing controversy. In a pointed response, Spyro took to Instagram to showcase his success, emphasizing his achievements without paying the disputed commission.
The alleged termination of Franklin’s management role comes at a particularly challenging time for the former label boss, who faces multiple claims of outstanding debts. Industry insiders quoted by Dimokokorkus express concern about the impact these financial disputes might have on professional relationships and business opportunities.
This development represents a significant shift in Franklin’s position within Nigeria’s entertainment ecosystem, where he has long been a prominent figure. His previous close association with the Adeleke family, particularly his role in Chioma’s career management, had been seen as a testament to his influence in the industry.
The reported silence from Davido’s camp during Franklin’s birthday celebrations marks a notable change in their public relationship. Traditionally, such occasions would have been met with extensive social media celebrations from the 30BG community, making their absence particularly noticeable.
Dimokokorkus’s report, while maintaining journalistic distance by acknowledging Franklin’s right to respond and deny the claims, paints a picture of growing isolation within industry circles. The blogger suggests that former associates are distancing themselves to protect their own business interests amid the controversies.
These developments highlight the complex nature of relationships within Nigeria’s entertainment industry, where personal and professional lines often blur. The situation also underscores how quickly fortunes can change in an industry where reputation and relationships play crucial roles in career sustainability.
As this story continues to develop, it raises questions about the future of various professional relationships within Nigeria’s entertainment sphere and the potential impact of personal controversies on business partnerships. The situation serves as a reminder of the delicate balance between personal conduct and professional success in the entertainment industry.
