Veteran Nigerian rapper, Terry Tha Rapman, has openly criticized popular singer Wizkid for his controversial statements regarding different music genres. This comes after Wizkid faced backlash for his comments dismissing Afrobeats, stating on a social media post that he cannot be confined to one category. These remarks have sparked a heated discussion within the music industry and among fans, as Wizkid had previously made a similar statement about rap, declaring that “rap is dead.”
Terry Tha Rapman took to the X platform to voice his concerns over Wizkid’s tendency to dismiss entire genres with his comments. Recalling Wizkid’s previous stance on rap and his latest dismissal of Afrobeats, Terry Tha Rapman expressed his worry over the potential impact of such statements. He humorously warned Highlife artists to be on alert, suggesting that their genre might be Wizkid’s next target.
Wizkid’s recent outbursts have raised eyebrows and sparked debates about the respect and recognition of established music genres. As one of Nigeria’s most influential artists, Wizkid’s opinions carry weight, and his dismissive remarks about rap and now Afrobeats have not gone unnoticed. Critics argue that such statements could undermine the efforts of artists dedicated to these genres and could influence public perception and the industry’s future direction.
The conversation around Wizkid’s comments underscores the broader discussion about genre boundaries and artists’ identities in the music industry. While some argue for the importance of genre classifications in preserving musical heritage and guiding listeners, others advocate for a more fluid approach that allows artists the freedom to explore and innovate without being boxed into specific categories.
As the debate continues, the music community is reminded of the power of words and the impact they can have on genres that have shaped the cultural landscape. Terry Tha Rapman’s response to Wizkid’s remarks reflects the concern and passion of those who feel their art forms may be undervalued or misunderstood, calling for a dialogue on respect, recognition, and the evolution of music.
