Social media commentator Radiogad has executed a dramatic about-face in his stance toward Afrobeats superstar Davido, publicly pledging his allegiance to the artist just days after accusing him of making threats. This sudden reversal has sparked widespread conversation across social media platforms about authenticity and clout-chasing in Nigeria’s digital entertainment landscape.
Radiogad, known for his often controversial takes on Nigerian music industry matters, had previously found himself embroiled in a heated exchange with Davido after criticizing aspects of the singer’s career and musical output. The online spat escalated when Radiogad alleged that the “Timeless” hitmaker had threatened him—a claim that generated significant buzz among music fans and industry observers.
However, in a surprising turn of events, Radiogad has now completely changed his tune, taking to social media with effusive praise for the same artist he was criticizing just days earlier. In his recent post, he described Davido as “the most hardworking artist in Nigerian entertainment history” and “the most consistent artist ever”—statements that stand in stark contrast to his previous critiques.
“Davido, I will always support you because you’re a good man and you’re intentional about putting out good music,” Radiogad stated in his latest social media offering. “Big shout-out to all the 30BGs. Big shout-out to Davido. Radio God, there for you. Once the 5th album drops, I’m going to be the first to stream it.”
Perhaps most revealing was Radiogad’s candid admission that his previous antagonistic stance was merely a strategic attempt to capture the attention of the globally recognized musician. All I did on social media was to get Davido’s attention. And I’m glad I finally got it,” he confessed, adding that despite his public criticisms, he has “always been a fan” who simply felt overlooked by the artist.
The commentator doubled down on his newfound devotion by captioning his post with: “I’ve always been a 30BG fan from day one… All I did was to get Davido’s attention, and I am glad I finally got it. Davido is the most hardworking artiste I know, and I will always support and stand by him. 30BG for life ❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️ @davido.”
This abrupt change in position has raised eyebrows throughout Nigeria’s entertainment community, with many questioning the authenticity of social media commentary in an era where engagement and attention often translate to increased visibility and potential career opportunities. Industry analysts suggest that such dramatic reversals reflect the complex dynamics of fame and influence in the digital age.
Davido, born David Adeleke, has yet to publicly respond to Radiogad’s latest overture. The multi-award-winning artist has been focusing on the anticipated release of his fifth studio album, which Radiogad now prophesies will be “the biggest album ever” and will “break boundaries.
The incident highlights a growing pattern in Nigeria’s entertainment ecosystem, where social media personalities and commentators sometimes employ controversial tactics to gain the attention of established stars. This approach, while potentially effective in generating short-term visibility, raises questions about the impact on authentic discourse and criticism within the industry.
Media experts point out that such public displays of criticism followed by enthusiastic support can undermine the credibility of entertainment commentary. Dr. Foluke Adebayo, a digital media analyst at Lagos State University, notes: “When commentary becomes merely a tool for attention rather than genuine critique or appreciation, the entire ecosystem suffers. Audiences begin to question the sincerity of all commentary, even legitimate criticism.”
Davido’s fans, collectively known as 30BG (30 Billion Gang), have responded to Radiogad’s reversal with mixed reactions. While some have welcomed his support, others remain skeptical of his sudden change of heart, accusing him of opportunism and insincerity.
This is exactly what’s wrong with our social media space,” commented one fan on Twitter. “Yesterday you’re making serious allegations, today you’re a superfan. Make it make sense.”
Others have been more forgiving, suggesting that Radiogad’s admission of his attention-seeking strategy at least demonstrates a level of honesty uncommon in similar situations.
The controversy occurs against the backdrop of Davido’s continued global ascendance in the music industry. Having recently collaborated with international artists and performed at sold-out venues worldwide, the singer represents the new generation of African artists achieving unprecedented global recognition.
For his part, Radiogad has positioned himself to benefit from association with Davido’s success, expressing particular enthusiasm for the artist’s forthcoming album. His promise to be “the first to stream it” signals his desire to maintain a connection with the musician whose attention he so deliberately sought.
As the situation continues to evolve, it serves as a case study in the complex interplay between social media commentary, celebrity culture, and attention economics in Nigeria’s vibrant entertainment landscape. Whether Radiogad’s newfound devotion will remain consistent or shift again with the winds of opportunity remains to be seen.
What is clear, however, is that in an era where social media engagement often translates to tangible benefits, the line between genuine criticism and strategic positioning continues to blur, challenging consumers of content to approach all commentary with a healthy dose of skepticism and discernment.
