Governor Ademola Adeleke of Osun has initiated a logo design competition for the state, responding to public dissatisfaction with the initial logo design. The move aims to harness creative talents from within the state to craft a logo that resonates more effectively with the identity and aspirations of Osun’s people.

Background on the Logo Critique

After adopting a new state logo, criticisms quickly emerged regarding its aesthetic and symbolic representation. Described by the governor’s spokesperson, Olawale Rasheed, as “a signal of rebirth,” the initial design did not sit well with many, including local residents who felt it did not appropriately symbolize the state’s ethos and heritage.

Details of the Competition

In response to these critiques, the state government has announced a competition to redesign the logo, running from April 19 to April 26. The competition invites artists and designers to submit entries that consider the prototype in terms of content and style, ensuring the new design retains elements from the original concept. These elements include symbols like the Oranmiyan bust, Erin-Ijesha waterfall, fish, and cocoa pods, which are integral to the state’s cultural and economic identity.

Submission and Selection Process

Participants can submit their designs in both soft and printed formats directly to the Office of the Commissioner, Ministry of Information and Public Enlightenment. Alternatively, entries can be sent online, with specific instructions to include bio data and contact details under the subject “OSUN STATE LOGO.” The selection process promises transparency and community involvement, with the top three designs receiving invitations to the unveiling event where they will be duly recognized and compensated.

Unveiling and Expectations

The winning design will be announced on April 28 and officially unveiled on April 30 during the upcoming edition of ‘Ipade Imole’, a key stakeholders’ meeting. This event is expected to be a significant moment, symbolizing the collective input of Osun’s citizens in defining their state’s visual identity.

Conclusion

Governor Adeleke’s decision to open the redesign of the Osun state logo to public competition is a clear nod to democratic principles and public engagement in state affairs. By involving the citizens in such a fundamental aspect of state identity, the government not only rectifies the initial oversight but also promotes a sense of inclusion and pride among the populace. This initiative is anticipated to not only produce a more fitting emblem for Osun but also to foster a greater connection between the government and its people.

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