Former dancehall sensation Cynthia Morgan has launched serious allegations against the Okoye brothers, better known as Psquare, claiming the music duo has left a trail of displaced associates in their wake. The accusations, shared via Instagram, paint a troubling picture of alleged negligence toward long-term staff and family members.
Central to Morgan’s allegations is the story of Stanley, reportedly a driver who served the musical duo for over a decade. According to Morgan, the driver was left destitute after his long service, compelling her to provide him with N50,000 in 2016 to help document his landed property for sale – a gesture she claims was necessary for him to “move on” from his former employers.
The accusations extend beyond staff to include family members, notably mentioning the brothers’ younger sibling, Tony, and other industry figures like Papi J and Wande. Morgan suggests these individuals represent a pattern of damaged relationships in the wake of the Okoyes’ success, though she doesn’t elaborate on specific circumstances.
This latest salvo comes amid an ongoing dispute that has seen Morgan frequently at odds with the successful musical duo. Her recent criticism of Paul Okoye’s latest release, “Vitamin D,” despite admitting to enjoying the song, highlighted the personal nature of their conflict. Morgan pointedly noted the song’s relatively modest performance on YouTube, maintaining around 500,000 views over two months, interpreting this as divine justice.
The controversy has deeper roots, with Morgan having voiced grievances earlier this year about her financial struggles during her time in the industry. She painted a stark contrast between public perception and reality, describing how she subsisted on instant noodles for all meals while the public assumed she was living a millionaire’s lifestyle.
The situation became more complex when Paul Okoye attempted to distance himself from Morgan’s accusations during an Instagram live session, stating she was never his artist but rather his brother’s. His wish for her “quick recovery” sparked further controversy, with Morgan forcefully responding to what she perceived as condescension. She countered by claiming Paul still owed her for a past collaboration involving his then-girlfriend, while he was married to his now ex-wife, Anita Okoye.
Morgan’s decision to break her silence now adds another layer to the narrative. She explains her previous reticence as stemming from her youth and a desire to focus on her own career path, suggesting that maturity has given her the confidence to speak out about these alleged industry practices.
The accusations have reignited discussions about the treatment of support staff and collaborators in Nigeria’s entertainment industry, where the gap between public success and private conduct often comes under scrutiny. The inclusion of family members in her allegations, particularly Tony Okoye, raises questions about the personal cost of fame and success within family dynamics.
This controversy emerges at a time when the Nigerian music industry is enjoying unprecedented global success, making questions about the treatment of industry professionals particularly relevant. Morgan’s allegations suggest that beneath the glamorous exterior of Nigeria’s music industry, there may be systemic issues regarding the treatment of support staff and artists.
The public nature of these accusations, coming from someone who was once closely associated with the industry’s inner workings, has sparked renewed interest in the welfare of behind-the-scenes professionals in Nigeria’s entertainment sector. Whether these allegations will lead to broader industry discussions about professional standards and treatment of support staff remains to be seen.
As this story continues to unfold, it highlights the complex relationships between artists, their support staff, and family members in Nigeria’s entertainment industry, raising important questions about responsibility, loyalty, and the human cost of success in the music business.
