A high-profile relationship between controversial Nigerian singer Portable and Queen Dami, former wife of the late Alaafin of Oyo, has erupted into a public dispute, marking a significant shift from their previously celebrated romance. The confrontation, which began on social media, has revealed underlying tensions in their relationship and brought to light accusations of ingratitude and misconduct.
The drama unfolded when Queen Dami shared what appeared to be an innocuous post on Instagram, featuring a photo of herself accompanied by a message about personal growth and revenge through self-improvement. Her post suggested that the best form of revenge comes through becoming “prettier, smarter, doing better than before, and becoming the highest version of yourself.”
This seemingly inspirational message prompted an unexpected response from Portable, who took to the comment section with serious allegations against Queen Dami. The singer accused her of disrupting his business by chasing away female patrons from his bar. In a particularly pointed comment, he emphasized that she “wasn’t the first and can’t be the last,” while also claiming that he had been supporting her son from her previous marriage to the late Alaafin of Oyo, despite what he perceived as a lack of appreciation.
Queen Dami’s response to Portable’s outburst was both defiant and spiritual in nature. In what appeared to be a direct rebuttal to his comments, she declared, “Unless they kill God, I am living in blessings that used to be prayer requests. She is you. She is me.” This statement seemed to underscore her determination to maintain her dignity and prosperity regardless of the current controversy.
The public clash presents a stark contrast to the couple’s recent past. Just weeks before this incident, Portable had publicly praised Queen Dami for her loyalty, addressing critics who questioned their relationship. The singer, who is already a father of six children, had even expressed his desire for Queen Dami to bear his child, demonstrating how quickly their relationship dynamic has shifted.
Their romance had initially raised eyebrows in Nigerian entertainment circles, particularly given Queen Dami’s previous status as a wife to the late Alaafin of Oyo, one of Nigeria’s most respected traditional rulers. Portable had earlier clarified the timeline of their relationship, emphasizing that Queen Dami was merely a fan during her marriage to the late monarch, with their romantic involvement beginning only after the Alaafin’s passing.
The backstory of Queen Dami adds another layer of complexity to the current situation. Her marriage to the late Alaafin of Oyo, Oba Lamidi Adeyeye, ended controversially after she allegedly violated palace protocols, leading to her departure from the royal household. She later attributed her actions to frustration and poor advice from friends, though reconciliation with the monarch never materialized before his death last year.
This latest public disagreement between Queen Dami and Portable highlights the often turbulent nature of relationships in the spotlight, particularly when they involve individuals from such different backgrounds – a former royal queen and a controversial music star known for his unpredictable behavior. The situation has captivated social media audiences and sparked discussions about loyalty, gratitude, and the complexities of modern relationships in Nigerian society.
The dispute also raises questions about the future of their relationship, especially given Portable’s history of public controversies and Queen Dami’s previous experience with high-profile relationships. As both parties continue to share their perspectives on social media, their followers remain divided, with some supporting Queen Dami’s apparent quest for personal growth and others sympathizing with Portable’s grievances.
As this story continues to develop, it serves as a reminder of how quickly relationships in the public eye can transform from celebrated unions to controversial talking points, especially when personal grievances spill into social media spaces.
