Social media users are abuzz with reactions to Nigerian singer Habeeb Okikiola, better known as Portable, after his dramatic response to being granted an N20 million bail by a court. The controversy surrounding the artiste has deepened following recent developments in his legal troubles, which include charges of conspiracy, serious assault, armed breach of public peace, and attempted murder.
This week, reports surfaced that Portable was declared wanted by the Police for allegedly recruiting armed thugs involved in violent activities. On Wednesday, he surrendered himself at the Lagos State Criminal Investigation Department (SCID) in Yaba before being transferred to the Ogun State Police headquarters. By Friday, the singer found himself standing in court, facing five-count charges tied to allegations of criminal activity
During the arraignment, Portable pleaded not guilty to all charges leveled against him. Subsequently, the magistrate granted him bail set at N20 million, along with specific conditions prohibiting him from discussing the case or related matters on social media platforms. The court adjourned the matter until March 5 for trial.
Following this verdict, a video circulating widely online captures Portable reacting dramatically to the outcome. In the clip, the singer is seen dropping to his knees while others around him hold onto him tightly. This theatrical display has sparked mixed reactions among Nigerians, many of whom view it as excessive given the gravity of the accusations against him.
Reactions to Portable’s behavior have been varied, with some expressing disbelief at what they perceive as insincere theatrics. One user, Skinnyyxx, remarked sarcastically, “Person wey them suppose to lock up and throw the key away.” Similarly, Cutest Jeweller chimed in, stating, “Some people’s husband. This boy is not fit to change,” highlighting skepticism about whether the singer genuinely intends to reform.
Others took notice of the apparent contradiction between Portable’s actions and his past conduct. Arewa_Adeife commented wryly, “Like say he go repent,” questioning the sincerity behind his supposed contrition. Meanwhile, Foodshop Abuja and Qween_latyphat echoed sentiments calling him “people’s husband,” referencing his reputation for drama and flair for attention-grabbing antics.
Alibabaofcyprus1 summed up prevailing opinions succinctly, labeling Portable as “very dramatic person.” These comments reflect growing frustration among netizens who feel that such displays detract from addressing substantive issues surrounding his alleged crimes.
Portable’s current predicament stems from events earlier this month when authorities sealed off one of his uncompleted buildings and hotels due to illegal construction without necessary permits. Workers and patrons present during the raid were detained temporarily, prompting outrage from the singer. Rather than complying with regulations, Portable went into hiding and later made an emotional appeal directly to President Bola Tinubu, asking for intervention on behalf of Ogun State Governor Dapo Abiodun.
In his plea, Portable highlighted his identity as a citizen of Ogun State, arguing that local authorities had unfairly targeted him despite his support for Governor Abiodun’s political ally, Senator Ibikunle Amosun (popularly referred to as Yayi). His public cry for leniency drew criticism from observers who accused him of attempting to leverage political connections rather than accepting responsibility for violating building codes.
The ongoing saga involving Portable raises important questions about accountability within Nigeria’s entertainment industry and beyond. While celebrities often enjoy heightened visibility, their actions—whether positive or negative—are magnified under public scrutiny. For someone like Portable, whose persona thrives on controversy, distinguishing genuine remorse from calculated performances becomes increasingly challenging.
Moreover, the case underscores broader concerns regarding rule of law enforcement across various sectors. Critics argue that high-profile individuals sometimes receive preferential treatment compared to ordinary citizens facing similar infractions. Ensuring consistent application of laws regardless of social status remains crucial in fostering trust between citizens and governing institutions.
As the trial progresses, attention will remain fixed on how proceedings unfold and whether justice prevails over spectacle. Regardless of final outcomes, Portable’s journey serves as a reminder of the delicate balance between personal freedoms and societal responsibilities—a lesson applicable far beyond the confines of music stardom.
For now, as discussions rage online and offline alike, one thing is certain: Portable continues to dominate headlines—not just through music but also through controversies that keep audiences captivated yet conflicted. Whether these moments mark turning points toward redemption or further entrenchment in chaos depends largely on choices yet to be made.
