Controversial street-hop artist Habeeb Okikiola, popularly known as Portable, has publicly apologized to Fuji music icon Saheed Osupa following a heated exchange that erupted over an alleged copyright claim. The “Zazu” crooner took to Instagram with a video plea, marking yet another dramatic chapter in his turbulent career trajectory.
The dispute began when Osupa reportedly filed a copyright infringement claim against one of Portable’s songs on Spotify and other digital streaming platforms, resulting in the removal of the track. This action triggered an explosive response from Portable, who launched a barrage of insults at the respected Fuji maestro, mocking his physical appearance and questioning his relevance in Nigeria’s contemporary music landscape.
King Saheed Osupa, I am so sorry. It was money that wanted to cause our fight,” Portable stated in his video apology, blaming financial considerations for the conflict. In a surprising move, he then called on his fan base to intercede on his behalf, adding, “My fans should please apologize to him.
The apology video, however, has been met with skepticism from many observers, who question both the sincerity and appropriateness of Portable’s approach. Social media users quickly pointed out perceived deficiencies in the singer’s contrition, with one commenter identified as Rotimi Aduke writing, “This is not an apology. Ori Portable pada daru” (Portable’s head is confused again).
Another user, Ahdlat Enterprise, criticized the manner of the apology: “You can’t even prostrate omo ale” – referencing the traditional Yoruba sign of respect when a younger person apologizes to an elder. This cultural context adds another dimension to the controversy, as Saheed Osupa is not only a senior figure in the industry but also a highly respected exponent of Fuji, a genre deeply rooted in Yoruba cultural traditions.
Other reactions highlighted the inappropriateness of using social media for what many feel should have been a private reconciliation. “Pele. Why not call him privately? Why ranting on social media?” questioned user Olaolomi_Ola, pointing to the seemingly performative nature of Portable’s public apology.
The incident has reignited discussions about respect for elders in the Nigerian music industry, with user Dango360 asking, “How much money go make you disrespect elderly man,” suggesting that financial motives cannot justify breaching cultural norms of respect.
This latest controversy adds to Portable’s growing reputation for confrontational behavior since his meteoric rise to fame following the success of his breakout hit “Zazu Zeh” featuring Olamide and Poco Lee in late 2021. The singer has become almost as well-known for his frequent disputes and erratic behavior as for his music, creating a persona that blends genuine musical talent with provocative antics.
Last year, Portable was involved in another physical altercation with Nigerian-American singer Esquare, reportedly over a performance dispute. While Portable claimed he was attacked by “40 people” and suffered injuries including a broken leg, Esquare presented a different account of the incident. This pattern of conflict has become something of a trademark for the controversial artist.
Industry analysts note that Portable’s recurring controversies reflect a broader tension within Nigeria’s music industry between traditional values and the more confrontational, social media-driven approach favored by some newer artists. Saheed Osupa, with his decades of experience and deep roots in traditional Fuji music, represents an established order that commands respect among many Nigerians, particularly those familiar with the cultural significance of the genre.
The copyright dispute itself highlights evolving issues around musical ownership and sampling practices in Nigeria’s digital age. While details of the specific infringement claim remain unclear, the incident underscores the increasingly complex landscape navigated by artists as they blend influences from traditional forms like Fuji with contemporary street-hop styles.
Music industry insiders suggest that Portable’s quick reversal may indicate pressure from industry stakeholders or recognition that challenging a figure of Osupa’s stature could potentially damage his career prospects. Despite his controversial reputation, Portable has secured several notable endorsement deals and collaborations since his breakthrough, suggesting that some industry gatekeepers have been willing to overlook his behavioral issues in light of his commercial appeal.
The public’s reaction to this latest episode, however, indicates potential limits to that tolerance. Comments on the apology video overwhelmingly sided with Osupa, suggesting that attacking respected industry elders might cross a line even for an artist whose brand is partially built on provocation.
“This guy is not sorry,” observed user Instablogbj, capturing a widespread sentiment that the apology was motivated more by damage control than genuine remorse. Another commenter, Shariff Ayor, offered a more ominous assessment: “Werey nah your mouth go kill u last last” (Crazy boy, your mouth will eventually be your downfall).
Whether this incident will prompt any lasting change in Portable’s approach remains to be seen. His rapid rise from obscurity to national recognition has been fueled in part by his unfiltered personality and willingness to generate controversy. However, the overwhelmingly negative reaction to his attack on Osupa suggests that certain boundaries still exist even in Nigeria’s evolving music landscape.
For Saheed Osupa, whose decades-long career has earned him legendary status in the Fuji genre, the incident may serve as further affirmation of his cultural significance. The widespread support he received during the dispute demonstrates the continuing respect accorded to established masters of traditional forms, even as Nigeria’s music industry increasingly embraces new sounds and personalities.
As of this reporting, Saheed Osupa has not publicly responded to Portable’s apology, leaving open the question of whether reconciliation will follow. Whatever the outcome, the episode adds another colorful chapter to Portable’s already controversial career narrative – one that continues to generate headlines for reasons that often extend beyond his musical output.
