Grammy-winning Nigerian artist Burna Boy has ignited new speculation in the entertainment industry with a series of cryptic messages seemingly targeting fellow superstar Davido over claims of property ownership in Lagos’s prestigious Banana Island. The acclaimed singer took to Instagram to call out unnamed individuals about alleged misrepresentations regarding luxury real estate and high-end timepieces.
Through his Instagram story, Burna Boy delivered pointed messages about authenticity and truthfulness, specifically mentioning properties developed by Sujimoto in Banana Island and houses in Elele. The “African Giant” crooner suggested that certain individuals had misrepresented rental arrangements as outright ownership, urging them to “do better in 2025.
The singer’s commentary extended beyond real estate to include luxury watches, specifically calling out those who allegedly misrepresent after-market rainbow Daytona timepieces as authentic pieces. His statements culminated in a provocative suggestion that such widespread misrepresentation should be criminalized.
Adding another layer to the ongoing industry tension, Burna Boy addressed comparisons between himself and Afrobeat pioneer Fela Kuti, asserting his unique identity as “BIG 7” while emphasizing his focus on “positivity, peace, and prosperity.” However, this message of positivity was followed by a stark declaration about his approach to conflict, suggesting a complex relationship with his public image.
These latest social media posts come amid a long-standing rivalry between Burna Boy and Davido, which has played out publicly over several years. The tension between the two artists was briefly interrupted by a recent viral video showing a cordial interaction between Davido and Burna Boy’s mother, Bose Ogulu, at Tony Elumelu’s All-White Christmas party.
The history of their discord includes several notable incidents, including a July exchange where Burna Boy responded critically to fan comparisons with Davido’s personal life. The friction was further intensified when Davido referred to Burna Boy as an “upcoming artist” in an interview, placing him in the same category as newer acts like Mayorkun and Asake.
Burna Boy’s response to these earlier comments included dismissive remarks about Davido, escalating their public disagreement. The situation became more heated when Burna Boy challenged claims about Davido’s role in his early career, dismissing them as fabricated narratives from Davido’s fanbase.
The ongoing tension between these two influential figures in African music reflects broader dynamics within the industry, where success, authenticity, and public image intersect with personal rivalries. Their contrasting approaches to public discourse and self-presentation continue to fuel discussion among fans and industry observers.
This latest series of posts from Burna Boy, while not directly naming any individuals, has reignited conversations about authenticity and representation in the Nigerian entertainment industry, particularly regarding displays of wealth and success. The situation continues to evolve, highlighting the complex relationships between Nigeria’s biggest music stars.
